Preamble
This blogspot is not only devoted to ArtCloth and all things fabric (e.g. wearables) but also to limited edition prints on paper and artists' printmakers books. I have listed below for your convenience my contribution to this artistic genre.
Made to Order
Unique State (Partners in Print)
Veiled Curtains
A Letter to a Friend
Beyond the Fear of Freedom
Travelling Solander Project
Star Series
Imprint
Cry for the Wilderness
Federation on Hold – Call Waiting
Wish You Were Where?
The Four Seasons
The Creation of Hurricane Katrina – The Disruptor
The Creation of ‘Whose Place? My Place, Your Space’
The ‘Vine Glow’ Series
Vine Glow - Series 2
‘Whose Church?’
‘A Journey Ends . . . Another Nightmare Begins’
Unique State - Michael Florrimell (Co-ordinator and Guest Editor)
Welcome to the Partners in Print 20th Anniversary Portfolio Project Unique State Portfolios
In 2010, I selected 21 professional print media artists to undertake a project in unique state media. Each artist was requested to make 40 x A4 art works as unique state prints to be collated into 40 unique state portfolios. From the 40 portfolios 21 artists would receive one portfolio each and 19 portfolios would be donated to a variety of Australian and International print collections.
I selected artists who have worked with my two organisations - Partners in Print and Exchange Partners in Print Media over the past 20 years. I regard all the Unique State artists as professionals in the arts of polymedia and the ideologies which go with being a long term media artists. Marian Crawford, Jodi Heffernan, Anne Marie Hunter, Jan Palethorpe, Bridget Hillebrand. Heather Hesterman, Richard Harding and Bob Stewart have all worked on large and small scale original unique state works over the past 20 years. To give the portfolios depth of polymedia I selected photographers and digital artists such as Michael Prior, Elizabeth Rodda, Julie Lancaster, Michael Zschech, Jim Brodie, Jutta Pryor and Gerard Morrissey who have used sequence photography, media clippings and video to produce 40 frames of images - each frame unique. Consideration was also given to artists using fabric such as Rebecca Mayo and Marie-Therese Wisniowski. Further consideration was given to artists who have used multiple combinations of media such as Rebecca Beardmore, Cherie Winter and Paula McLouglin.
Printmaking and polymedia arts have a representation in both reproduction and original production. Over the past 50 years Australian artists have been experimenting with a huge variety of historical and recent methods and materials in fine art institutions and workshops. In the 1960s printmaking was introduced into the fine art universities to provide artists access to commercial reproductive methods. Photography and the graphic arts were also introduced as professional fine art and commercial courses in the 1960 – 70s period extending the domains of polymedia culture.
From 15th century wood engraving to the latest phone applications most communications methods are regarded as practice in fine art circles. Many artists within the history of arts have produced work with association to original fine arts and reproductive commercial graphic reproductions. Combinations of polymedia methods and personal ideologies have been practiced by fine artists such as Andy Warhol, Damian Hirst and Shepard Fairly resulting in the finest art of the past century. Polymedia arts have retained a strong following and will grow even more popular with time. We live in times where media is prolific, we use it every day in many ways, and hopefully now as artists we can celebrate and interact with media to produce works of art which push the boundaries and domains of our imagination.
As this is the last exchange portfolio under the name of Partners in Print I would like to thank all the artists, coordinators, curators and institutions who have supported and been involved with these initiatives from 1991 – 2011. Particular thanks to all the “Unique State” artists for making the “Unique State” portfolios possible. I have now registered the name Polymedia and will resume print media projects under this name in 2012. I look forward to working with you all again in the future.
Rebecca Beardmore
Title: Reflection Series (2011).
Media: Digital and silkscreen.
US/8 from 40 US prints.
Size: A4.
Title: Reflection Series.
Media: Digital and Silkscreen.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Jim Brodie
Title: Amamoor (2011).
Media: Digital Print.
US/8 from 40 US prints.
Size: A4.
Title: Amamoor (2011).
Media: Digital Print.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Marian Crawford
Untitled (2011).
Media: Etching.
No 1 of 40 US prints.
Size: A4.
Untitled (2011).
Media: Etching.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Michael Florrimell
Untitled (2011).
Media: Digital print on Arches rag paper, double sided prints.
US/8 from 40 US doubled sided prints.
Size: A4.
Untitled (2011).
Media: Digital print on Arches rag paper, double sided prints.
Examples of 8 from 40 US doubled sided prints.
Size: Each panel A4.
Richard Harding
Title: Queer Zone Suck it up (2011).
Media: Etching and Silkscreen with glitter.
U/S 8 from 40 US prints.
Size: A4.
Title: Queer Zone Suck it up (2011).
Media: Etching and Silkscreen with glitter.
Examples of 8 from 40 US prints.
Size: Each print A4.
Jodi Heffernan
Title: Coral Series (2011).
Media: Lino Cut, Printed on Paper and Tulle.
Size: A4.
US / 8 from 40 US prints.
Size: A4.
Title: Coral Series (2011). Media: Lino Cut, Printed on Paper and Tulle.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Heather Hesterman
Title: Clearer Eventually (2011).
Media: Silkscreen, double sided print.
US/ 8 from 40 US double sided prints.
Size: A4.
Title: Clearer Eventually (2011).
Media: Silkscreen, double sided prints.
Examples of 8 from 40 US double sided prints.
Size: Each panel A4
Bridget Hillebrand
Title: Beautiful Possibilities (2001).
Media: Lino cut and pencil.
US/ 8 from 40 US prints.
Size: A4.
Title: Beautiful Possibilities (2011).
Media: Lino Cut and pencil.
Examples of 4 from 40 US prints.
Size: Each panel A4.
Anne Maree Hunter
Title: No Shoes (2011).
Media: Collograph, letter press, stitching and chine colle on obsolete maps.
US/ 8 from 40 US prints.
Size: A4.
Title: No Shoes (2011).
Media: Collograph, letter press, stitching and chine colle on obsolete maps.
Examples of 8 prints from 40 US prints.
Size: Each panel A4.
Julie Lancaster
Title: Changeling(Captured states) (2011).
Media: Giclee prints printed on museo silver rag paper.
US/ 8 from 40 US prints.
Size: A4.
Title: Changeling(Captured states) (2011).
Media: Giclee prints printed on museo silver rag paper.
Examples of 4 prints from 40 US prints.
Size: Each print A4.
Rebecca Mayo
Title: Mistletoe (2011).
Media: Silkscreen on cloth, ceramic on copper discs.
US/ 8 from 40 US prints.
Size: A4.
Title: Mistletoe (2011).
Media: Silkscreen on cloth, ceramic on copper discs.
Examples of 8 prints from 40 US prints.
Size: Each panel A4.
Paula McLoughlin
Title: Some walking and talking going on (2011).
Media: Silkscreen/pencil.
US/ 8 from 40 US prints.
Size: A4.
Title: Some walking and talking going on (2011).
Media: Silkscreen/pencil.
Examples of 8 prints from 40 US prints.
Size: Each panel A4.
Gerard Morresey
Title: Tea – Party – Life (2011).
Media: Digital Video Capture printed on rag paper.
US/ 8 from 40 US prints.
Size: A4.
Title: Tea – Party – Life (2011).
Media: Digital Video Capture printed on rag paper.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Jan Palethorpe
Title: Take a leaf from my book (2011).
Media: Mixed etching and papers.
US/ 8 from 40 US prints.
Size: A4.
Title: Take a leaf from my book (2011).
Media: Mixed etching and papers.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Michael Prior
Title: Pom Pom Girls (2011).
Media - Digital Photograph Printed on Epson 4800 Ultra Proof Trade Satin Archival Paper.
US / 8 from 40 US prints.
Size: A4.
Pom Pom Girls (2011).
Media: Digital Photograph Printed on Epson 4800 Ultra Proof Trade Satin Archival Paper.
Examples of 8 US from 40 US prints.
Size: Each panel A4.
Jutta Pryor
Untitled (2011).
Media: Digital print.
US/ 8 from 40 US prints.
Size: A4.
Untitled (2011).
Media: Digital print.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Elisabeth Rodda
Title: Swan Dreamtime Story (2011).
Media: Digital photographic print on architectural transparent paper.
US/ 8 from 40 US prints.
Size: A4.
Title: Swan Dreamtime Story (2011).
Media: Digital photographic print on architectural transparent paper.
Examples of 4 from 40 US prints.
Size: Each panel A4.
Bob Stewart
Title: On stage with Kate Ceberano (2011).
Media: Digital video print.
US/ 8 from 40 US prints.
Size: A4.
Title: On stage with Kate Ceberano (2011).
Media: Digital video print.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Cherie Winters
Title: Wear we put our feet (2011).
Media: Mono print, woodcut and chine colle.
US/ 8 from 40 US prints.
Size: A4.
Title: Wear we put our feet (2011).
Media: Mono print, woodcut and chine colle.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Marie Therese Wisniowski
Title: Wangi’s Djrang (2011).
Media: MultiSperse Dye Sublimation (MSDS) technique employing disperse dyes on satin. A single holistic print from which 40 US artworks were cut.
Size: A single A4 panel.
Title: Wangi’s Djrang (2011).
Media: MultiSperse Dye Sublimation (MSDS) technique employing disperse dyes on satin. A single holistic print from which 40 US artworks were cut.
Examples of 8 from 40 US size artworks.
Size: Each panel A4.
Michael Zschech
Title: I don’t want to be here anymore, people are too cruel (2011).
Media: Photographic scan of collage on high gloss acid free photo paper with cotton thread, montage.
Examples of 8 from 40 US prints.
Size: A4.
Title: I don’t want to be here anymore, people are too cruel (2011).
Media: Photographic scan of collage on high gloss acid free photo paper with cotton thread, montage.
Examples of 8 from 40 US prints.
Size: Each panel A4.
This blogspot is not only devoted to ArtCloth and all things fabric (e.g. wearables) but also to limited edition prints on paper and artists' printmakers books. I have listed below for your convenience my contribution to this artistic genre.
Made to Order
Unique State (Partners in Print)
Veiled Curtains
A Letter to a Friend
Beyond the Fear of Freedom
Travelling Solander Project
Star Series
Imprint
Cry for the Wilderness
Federation on Hold – Call Waiting
Wish You Were Where?
The Four Seasons
The Creation of Hurricane Katrina – The Disruptor
The Creation of ‘Whose Place? My Place, Your Space’
The ‘Vine Glow’ Series
Vine Glow - Series 2
‘Whose Church?’
‘A Journey Ends . . . Another Nightmare Begins’
Unique State - Michael Florrimell (Co-ordinator and Guest Editor)
Welcome to the Partners in Print 20th Anniversary Portfolio Project Unique State Portfolios
In 2010, I selected 21 professional print media artists to undertake a project in unique state media. Each artist was requested to make 40 x A4 art works as unique state prints to be collated into 40 unique state portfolios. From the 40 portfolios 21 artists would receive one portfolio each and 19 portfolios would be donated to a variety of Australian and International print collections.
I selected artists who have worked with my two organisations - Partners in Print and Exchange Partners in Print Media over the past 20 years. I regard all the Unique State artists as professionals in the arts of polymedia and the ideologies which go with being a long term media artists. Marian Crawford, Jodi Heffernan, Anne Marie Hunter, Jan Palethorpe, Bridget Hillebrand. Heather Hesterman, Richard Harding and Bob Stewart have all worked on large and small scale original unique state works over the past 20 years. To give the portfolios depth of polymedia I selected photographers and digital artists such as Michael Prior, Elizabeth Rodda, Julie Lancaster, Michael Zschech, Jim Brodie, Jutta Pryor and Gerard Morrissey who have used sequence photography, media clippings and video to produce 40 frames of images - each frame unique. Consideration was also given to artists using fabric such as Rebecca Mayo and Marie-Therese Wisniowski. Further consideration was given to artists who have used multiple combinations of media such as Rebecca Beardmore, Cherie Winter and Paula McLouglin.
Printmaking and polymedia arts have a representation in both reproduction and original production. Over the past 50 years Australian artists have been experimenting with a huge variety of historical and recent methods and materials in fine art institutions and workshops. In the 1960s printmaking was introduced into the fine art universities to provide artists access to commercial reproductive methods. Photography and the graphic arts were also introduced as professional fine art and commercial courses in the 1960 – 70s period extending the domains of polymedia culture.
From 15th century wood engraving to the latest phone applications most communications methods are regarded as practice in fine art circles. Many artists within the history of arts have produced work with association to original fine arts and reproductive commercial graphic reproductions. Combinations of polymedia methods and personal ideologies have been practiced by fine artists such as Andy Warhol, Damian Hirst and Shepard Fairly resulting in the finest art of the past century. Polymedia arts have retained a strong following and will grow even more popular with time. We live in times where media is prolific, we use it every day in many ways, and hopefully now as artists we can celebrate and interact with media to produce works of art which push the boundaries and domains of our imagination.
As this is the last exchange portfolio under the name of Partners in Print I would like to thank all the artists, coordinators, curators and institutions who have supported and been involved with these initiatives from 1991 – 2011. Particular thanks to all the “Unique State” artists for making the “Unique State” portfolios possible. I have now registered the name Polymedia and will resume print media projects under this name in 2012. I look forward to working with you all again in the future.
Rebecca Beardmore
Media: Digital and silkscreen.
US/8 from 40 US prints.
Size: A4.
Media: Digital and Silkscreen.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Jim Brodie
Media: Digital Print.
US/8 from 40 US prints.
Size: A4.
Media: Digital Print.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Marian Crawford
Media: Etching.
No 1 of 40 US prints.
Size: A4.
Media: Etching.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Michael Florrimell
Media: Digital print on Arches rag paper, double sided prints.
US/8 from 40 US doubled sided prints.
Size: A4.
Media: Digital print on Arches rag paper, double sided prints.
Examples of 8 from 40 US doubled sided prints.
Size: Each panel A4.
Richard Harding
Media: Etching and Silkscreen with glitter.
U/S 8 from 40 US prints.
Size: A4.
Media: Etching and Silkscreen with glitter.
Examples of 8 from 40 US prints.
Size: Each print A4.
Jodi Heffernan
Media: Lino Cut, Printed on Paper and Tulle.
Size: A4.
US / 8 from 40 US prints.
Size: A4.
Title: Coral Series (2011). Media: Lino Cut, Printed on Paper and Tulle.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Heather Hesterman
Title: Clearer Eventually (2011).
Media: Silkscreen, double sided print.
US/ 8 from 40 US double sided prints.
Size: A4.
Media: Silkscreen, double sided prints.
Examples of 8 from 40 US double sided prints.
Size: Each panel A4
Bridget Hillebrand
Media: Lino cut and pencil.
US/ 8 from 40 US prints.
Size: A4.
Media: Lino Cut and pencil.
Examples of 4 from 40 US prints.
Size: Each panel A4.
Anne Maree Hunter
Media: Collograph, letter press, stitching and chine colle on obsolete maps.
US/ 8 from 40 US prints.
Size: A4.
Media: Collograph, letter press, stitching and chine colle on obsolete maps.
Examples of 8 prints from 40 US prints.
Size: Each panel A4.
Julie Lancaster
Media: Giclee prints printed on museo silver rag paper.
US/ 8 from 40 US prints.
Size: A4.
Media: Giclee prints printed on museo silver rag paper.
Examples of 4 prints from 40 US prints.
Size: Each print A4.
Rebecca Mayo
Media: Silkscreen on cloth, ceramic on copper discs.
US/ 8 from 40 US prints.
Size: A4.
Media: Silkscreen on cloth, ceramic on copper discs.
Examples of 8 prints from 40 US prints.
Size: Each panel A4.
Paula McLoughlin
Media: Silkscreen/pencil.
US/ 8 from 40 US prints.
Size: A4.
Media: Silkscreen/pencil.
Examples of 8 prints from 40 US prints.
Size: Each panel A4.
Gerard Morresey
Media: Digital Video Capture printed on rag paper.
US/ 8 from 40 US prints.
Size: A4.
Media: Digital Video Capture printed on rag paper.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Jan Palethorpe
Media: Mixed etching and papers.
US/ 8 from 40 US prints.
Size: A4.
Media: Mixed etching and papers.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Michael Prior
Media - Digital Photograph Printed on Epson 4800 Ultra Proof Trade Satin Archival Paper.
US / 8 from 40 US prints.
Size: A4.
Media: Digital Photograph Printed on Epson 4800 Ultra Proof Trade Satin Archival Paper.
Examples of 8 US from 40 US prints.
Size: Each panel A4.
Jutta Pryor
Media: Digital print.
US/ 8 from 40 US prints.
Size: A4.
Media: Digital print.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Elisabeth Rodda
Media: Digital photographic print on architectural transparent paper.
US/ 8 from 40 US prints.
Size: A4.
Media: Digital photographic print on architectural transparent paper.
Examples of 4 from 40 US prints.
Size: Each panel A4.
Bob Stewart
Media: Digital video print.
US/ 8 from 40 US prints.
Size: A4.
Media: Digital video print.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Cherie Winters
Media: Mono print, woodcut and chine colle.
US/ 8 from 40 US prints.
Size: A4.
Media: Mono print, woodcut and chine colle.
Examples of 8 from 40 US prints.
Size: Each panel A4.
Marie Therese Wisniowski
Media: MultiSperse Dye Sublimation (MSDS) technique employing disperse dyes on satin. A single holistic print from which 40 US artworks were cut.
Size: A single A4 panel.
Media: MultiSperse Dye Sublimation (MSDS) technique employing disperse dyes on satin. A single holistic print from which 40 US artworks were cut.
Examples of 8 from 40 US size artworks.
Size: Each panel A4.
Michael Zschech
Media: Photographic scan of collage on high gloss acid free photo paper with cotton thread, montage.
Examples of 8 from 40 US prints.
Size: A4.
Media: Photographic scan of collage on high gloss acid free photo paper with cotton thread, montage.
Examples of 8 from 40 US prints.
Size: Each panel A4.
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