Introduction
In the late 1990s I started to work with disperse dyes on polyester and synthetic fabrics employing transfer printing techniques. I was captivated by the richness, depth of color and overprinting possibilities that could be achieved using the dyes. Since then I have been actively experimenting with hand printing techniques using disperse dyes on synthetic and polyester fabrics. These experiments have led to one of my new signature techniques that I have developed and termed - MultiSperse Dye Sublimation (MSDS). I have been teaching my MSDS technique at international and national conferences/workshops, textile forums, to textile groups and within university courses.
The MultiSperse Dye Sublimation (MSDS) Technique
The MSDS technique employs disperse dyes and involves hand printing multiple resists and multiple overprinted layers employing numerous color plates, mixed media and low relief plant materials. The completed works are rich in color, light, shade, contrast, movement and depth. The multiple layers also imbue a painterly aesthetic and textural, three-dimensional quality to the finished ArtCloth works. Each print is unique and cannot be replicated.
Sublimation Printing
In sublimation printing, once the dye has been painted on a paper and is dry, the painted side of the paper is placed on top of the fabric surface that is to be dyed. Then heat is applied via an iron or a heat press (under pressure) to the back of the dry, dyed paper. The dye vaporizes from the paper and infuses into the surface of the target fabric. The vapor dye reacts with the target fabric surface and adheres to it via ‘attractive’ forces. The heat of the iron serves a dual purpose: (a) it vaporizes the dye; (b) it assists the dye to infuse into the fabric surface and adhere to it.
My MSDS technique has been published in the March/June 2012, Volume 2, Issue 9 copy of Embellish: The Australian magazine for shibori and more (Artwear Publications). If you would like to have a reference copy, which shows images and text of the technique, it will be available in newsagents in the first week in March until June 2012. It is also available via subscription. There are of course a lot of other great techniques in the issue as well. Note: ArtWear Publications also publish Felt magazine, Yarn magazine and Textile Fibre Forum magazine.
Disclaimer: Marie-Therese Wisniowski, Art Quill Studio, and Art Quill & Co has no financial interest in Embellish or in any of the products mentioned in the article.
Now to whet your appetite, have some fun and have a go!
Scarf printed using the artist’s signature MultiSperse Dye Sublimation (MSDS) and mixed media resists on polyester.
One stage of the process.
Place your scarlet (mid) disperse dye painted paper plate onto the dyed fabric and flora items, color side down.
Another stage of the process.
Start pressing and overprinting an area of the paper plate with a hot iron being careful not to move the low relief items.
The final stage of the process.
Leave the fabric to cool and then remove the low relief flora items to reveal the finished print.
Note the complexity of the work, the painterly quality, and the three dimensional aspect of the finished ArtCloth.
See this blog site for more examples of disperse dyed ArtCloth works employing my MSDS technique (2010 - September 23rd, 2011 - February 5th, May 7th, June 11th, October 29th and those of my students (2011 - January 22rd and 29th, July 9th, September 17th, October 15th) in the Art Quill Studio blog archives.
In the late 1990s I started to work with disperse dyes on polyester and synthetic fabrics employing transfer printing techniques. I was captivated by the richness, depth of color and overprinting possibilities that could be achieved using the dyes. Since then I have been actively experimenting with hand printing techniques using disperse dyes on synthetic and polyester fabrics. These experiments have led to one of my new signature techniques that I have developed and termed - MultiSperse Dye Sublimation (MSDS). I have been teaching my MSDS technique at international and national conferences/workshops, textile forums, to textile groups and within university courses.
The MultiSperse Dye Sublimation (MSDS) Technique
The MSDS technique employs disperse dyes and involves hand printing multiple resists and multiple overprinted layers employing numerous color plates, mixed media and low relief plant materials. The completed works are rich in color, light, shade, contrast, movement and depth. The multiple layers also imbue a painterly aesthetic and textural, three-dimensional quality to the finished ArtCloth works. Each print is unique and cannot be replicated.
Sublimation Printing
In sublimation printing, once the dye has been painted on a paper and is dry, the painted side of the paper is placed on top of the fabric surface that is to be dyed. Then heat is applied via an iron or a heat press (under pressure) to the back of the dry, dyed paper. The dye vaporizes from the paper and infuses into the surface of the target fabric. The vapor dye reacts with the target fabric surface and adheres to it via ‘attractive’ forces. The heat of the iron serves a dual purpose: (a) it vaporizes the dye; (b) it assists the dye to infuse into the fabric surface and adhere to it.
My MSDS technique has been published in the March/June 2012, Volume 2, Issue 9 copy of Embellish: The Australian magazine for shibori and more (Artwear Publications). If you would like to have a reference copy, which shows images and text of the technique, it will be available in newsagents in the first week in March until June 2012. It is also available via subscription. There are of course a lot of other great techniques in the issue as well. Note: ArtWear Publications also publish Felt magazine, Yarn magazine and Textile Fibre Forum magazine.
Disclaimer: Marie-Therese Wisniowski, Art Quill Studio, and Art Quill & Co has no financial interest in Embellish or in any of the products mentioned in the article.
Place your scarlet (mid) disperse dye painted paper plate onto the dyed fabric and flora items, color side down.
Start pressing and overprinting an area of the paper plate with a hot iron being careful not to move the low relief items.
Leave the fabric to cool and then remove the low relief flora items to reveal the finished print.
Note the complexity of the work, the painterly quality, and the three dimensional aspect of the finished ArtCloth.
See this blog site for more examples of disperse dyed ArtCloth works employing my MSDS technique (2010 - September 23rd, 2011 - February 5th, May 7th, June 11th, October 29th and those of my students (2011 - January 22rd and 29th, July 9th, September 17th, October 15th) in the Art Quill Studio blog archives.
1 comment:
Your fabric prints is beautiful I love ferns and the color combinations you are using are great.
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