Preamble
For you convenience I have listed below other posts in this series which were sourced from the book - The Pattern Base[1]:
The Pattern Base by Kristi O'Meara - Book Review
The Art of Lorenzo Nanni
The Geometric Abstract Designs of Kristi O'Meara
Representational Designs of Kristi O'Meara
Geometric Patterns Designed by Patrick Morissey and Jasmin Elisa Guerrero
Fabric Swatches - Part I
Hannah Truran
Fabric Swatches - Part II
Fabric Swatches - Part III
The Art of Lorenzo Nanni[1]
Lorenzo Nanni operates with subtlety in the realms of the beautiful and the ugly.
Lorenzo Nanni.
He is inspired by botany and anatomy; his gaze is scientific and his expertly embroidered forms are surrealistic, reminding the viewer of living nature - both expressive and aggressive.
Each detail is studied through a magnifying glass. Flora and fauna are reinterpreted through mutant flowers, carnivore plants and grotesque, sprawling creatures, who thrive in felt and silk.
Nanni dissects the human body. By cutting the skin he retrieves organs and viscera that look like vibrant and precious jewellery.
His work makes us travel in a phantasmagorical world, diving into the abyss of our flesh and accelerating our perception of nature that surrounds us.
The viewer is surprised by the illusions and contrasts that he creates.
Reference:
[1] Kristi O'Meara, The Pattern Base, Thames & Hudson, London (2015).
For you convenience I have listed below other posts in this series which were sourced from the book - The Pattern Base[1]:
The Pattern Base by Kristi O'Meara - Book Review
The Art of Lorenzo Nanni
The Geometric Abstract Designs of Kristi O'Meara
Representational Designs of Kristi O'Meara
Geometric Patterns Designed by Patrick Morissey and Jasmin Elisa Guerrero
Fabric Swatches - Part I
Hannah Truran
Fabric Swatches - Part II
Fabric Swatches - Part III
The Art of Lorenzo Nanni[1]
Lorenzo Nanni operates with subtlety in the realms of the beautiful and the ugly.
He is inspired by botany and anatomy; his gaze is scientific and his expertly embroidered forms are surrealistic, reminding the viewer of living nature - both expressive and aggressive.
Each detail is studied through a magnifying glass. Flora and fauna are reinterpreted through mutant flowers, carnivore plants and grotesque, sprawling creatures, who thrive in felt and silk.
Nanni dissects the human body. By cutting the skin he retrieves organs and viscera that look like vibrant and precious jewellery.
His work makes us travel in a phantasmagorical world, diving into the abyss of our flesh and accelerating our perception of nature that surrounds us.
The viewer is surprised by the illusions and contrasts that he creates.
Reference:
[1] Kristi O'Meara, The Pattern Base, Thames & Hudson, London (2015).
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